Children of Europa
How young people are changing Europe
New Europe is not a place, it’s a young person. Committees, constitutions and commissions may hold Europe together as a political project, but it is people that hold it together as a cultural entity. This project will look at the aspirations of geographical Europe’s youngest generation, focusing particular on the way they make and exchange new-media with one another.
Anthropology of ourselves
at 8:41pm on Monday, 31st March 2008
Having just been reminded of the 'mass observation' project, founded in 1937, I was struck by how the same impulses drive us to collect and document everyday life now. The difference now is simply the tools we use. The Mass Observation website describes how the original project worked, and it sounds like a weighty undertaking:
'In Bolton, a team of paid investigators went into a variety of public situations: meetings, religious occasions, sporting and leisure activities, in the street and at work, and recorded people's behaviour and conversation in as much detail as possible. The material they produced is a varied documentary account of life in Britain.
The National Panel of Diarists was composed of people from all over Britain who either kept diaries or replied to regular open-ended questionnaires send to them by the central team of Mass-Observers.'
For our project Children of Europa we've been watching short videos made by young Europeans as they try to document their everyday lives and the things which are important to them. Many of them naturally gravitate towards filming self-portraits. Of course, self-portraiture has long been an important way of understanding ourselves and each other - whether it's a written diary entry, a painting or a video posted on you tube. I wonder whether the technological tools mean it's any more widespread now? Or the end product is any more immediate or powerful? I guess you were unlikely to share your diary entry with thousands of strangers back in 1937...
'In Bolton, a team of paid investigators went into a variety of public situations: meetings, religious occasions, sporting and leisure activities, in the street and at work, and recorded people's behaviour and conversation in as much detail as possible. The material they produced is a varied documentary account of life in Britain.
The National Panel of Diarists was composed of people from all over Britain who either kept diaries or replied to regular open-ended questionnaires send to them by the central team of Mass-Observers.'
For our project Children of Europa we've been watching short videos made by young Europeans as they try to document their everyday lives and the things which are important to them. Many of them naturally gravitate towards filming self-portraits. Of course, self-portraiture has long been an important way of understanding ourselves and each other - whether it's a written diary entry, a painting or a video posted on you tube. I wonder whether the technological tools mean it's any more widespread now? Or the end product is any more immediate or powerful? I guess you were unlikely to share your diary entry with thousands of strangers back in 1937...
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